{"id":1009,"date":"2026-06-04T16:38:54","date_gmt":"2026-06-04T14:38:54","guid":{"rendered":"https:\/\/piano-a-queue.com\/dk\/vurderingsmetode-digital\/"},"modified":"2026-06-04T16:38:54","modified_gmt":"2026-06-04T14:38:54","slug":"vurderingsmetode-digital","status":"publish","type":"page","link":"https:\/\/piano-a-queue.com\/dk\/vurderingsmetode-digital\/","title":{"rendered":"Vores vurderingsmetode \u2014 Digitale klaverer"},"content":{"rendered":"<p>Markedet for <strong>digitale<\/strong> og <strong>hybride<\/strong> klaverer f\u00f8lger andre regler end det akustiske. Vi har derfor tilpasset vores <em>Le Diapason<\/em>-metode med et dedikeret skema, fokuseret p\u00e5 det, der virkelig t\u00e6ller for et elektronisk instrument.<\/p>\n<h2>De 5 digitale vurderingsakser<\/h2>\n<figure class=\"wp-block-table\">\n<table>\n<thead>\n<tr>\n<th>Akse<\/th>\n<th>V\u00e6gt<\/th>\n<th>Hvad vi vurderer<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Spillef\u00f8lelse<\/strong><\/td>\n<td>30 %<\/td>\n<td>mekanikkens realisme (graduerede hamre, udl\u00f8sning, tr\u00e6), ensartethed over tangenterne.<\/td>\n<\/tr>\n<tr>\n<td><strong>Klang<\/strong><\/td>\n<td>30 %<\/td>\n<td>sampling- eller modelleringskvalitet, polyfoni, resonanser, indbygget forst\u00e6rkning.<\/td>\n<\/tr>\n<tr>\n<td><strong>Forbindelse<\/strong><\/td>\n<td>15 %<\/td>\n<td>Bluetooth MIDI\/Audio, USB, hovedtelefon-\/linjeudgange, apps, optagelse.<\/td>\n<\/tr>\n<tr>\n<td><strong>Pris\/kvalitet<\/strong><\/td>\n<td>15 %<\/td>\n<td>objektivt udstyr i forhold til den observerede pris.<\/td>\n<\/tr>\n<tr>\n<td><strong>Alsidighed<\/strong><\/td>\n<td>10 %<\/td>\n<td>ekstra lyde, split\/dual, mobilitet, scene\/hjem\/studie.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>Den samlede vurdering er den v\u00e6gtede sum, afrundet til \u00e9n decimal. <strong>Specifikationer og priser<\/strong> kommer fra fabrikanterne og fagforhandlere (Thomann); priser er vejledende.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Markedet for digitale og hybride klaverer f\u00f8lger andre regler end det akustiske. Vi har derfor tilpasset vores Le Diapason-metode med et dedikeret skema, fokuseret p\u00e5 det, der virkelig t\u00e6ller for et elektronisk instrument. De 5 digitale vurderingsakser Akse V\u00e6gt Hvad vi vurderer Spillef\u00f8lelse 30 % mekanikkens realisme (graduerede hamre, udl\u00f8sning, tr\u00e6), ensartethed over tangenterne. Klang &#8230; <a title=\"Vores vurderingsmetode \u2014 Digitale klaverer\" class=\"read-more\" href=\"https:\/\/piano-a-queue.com\/dk\/vurderingsmetode-digital\/\" aria-label=\"En savoir plus sur Vores vurderingsmetode \u2014 Digitale klaverer\">Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1009","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/pages\/1009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/comments?post=1009"}],"version-history":[{"count":0,"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/pages\/1009\/revisions"}],"wp:attachment":[{"href":"https:\/\/piano-a-queue.com\/dk\/wp-json\/wp\/v2\/media?parent=1009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}